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A collection that’s said to be equal to some of the best in Europe is housed in an unprepossessing brick bunker on Melbourne’s own back doorstep.
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One whole room is filled with Royal Worcester, another room is Oriental-themed with display cabinets filled with Japanese Kutani porcelain, antique ivories, a double-sided silk signed embroidery so fine it looks like a painting, and giant cloisonne urns.
It’s eye-popping and the personal running commentary is way more entertaining than reading endless explanatory cards. “Now this piece of Meissen – how the hell does an 18th Century piece of porcelain like that survive intact? “I’m not going to tell you how much this damn cabinet cost, but it was perfect for this tea set which in the photo looked so much bigger and I was surprised when it arrived.
His office is filled with marked catalogues, and the bidding can get quite fraught. “I think I almost qualify for an antique myself,” he laughs.
Several years ago he took the extraordinary step of establishing a trust to ensure The Stokes Collection will remain in perpetuity for the public to visit.
At age 30 Stokes met life-partner Trevor Bell who, assisted by two full-time and two part-time gardeners, is largely responsible for the magnificent 5.6 hectares of themed gardens surrounding their house.
At 45, Stokes founded Steamworks – Melbourne’s first and most famous gay bathhouse – which he owned for 30 years.
In 2010, the La Trobe Street property was sold for .35 million and since then the Cyril Stokes Collection has grown considerably.
He spends many evenings online, bidding at auctions in Europe and America and it is not unusual for him to drop 0,000 on a single auction.